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Hilary F. Marckx photographer.  Photo by Lesley Frowick Copyright 2003

Photo by Lesley Frowick, ©2003

 

 

 

 

Contact Hilary

Snail Mail

Hilary F. Marckx
P.O. Box 1087
Geyserville, CA 95441

Business Phone

707- 857-3086

Fax

707-857-3087

Email

hilary@hilaryfmarckx.com

 

Hilary's CV

Hilary F. Marckx is a California photographer and a photographer of California. He moved to California in 1952 when he was almost nine years old because of health problems, when the doctors told his parents that he would only live another month if they remained in the moist climate of the Puget Sound area. Now many healthy years later, he claims this state as his own, and has spent much of his adult life recording its wonders on film.

Hilary discovered a passion for photography in 1957 when, at the age of fourteen, a friend invited him to come over and look at his Christmas present. Down in a basement, in a closet, on an old door set up between two chairs was a Kodak photographic kit. Hilary says that down in that makeshift darkroom, he watched a photographic image develop-out in the solution, and his stomach did a roll. He knew from that moment he would have to be a photographer. He went out, withdrew his life savings of $125.00 and bought an old Solar enlarger with its lens bolted to a tin can and with his father's ancient Argus Color Camera and a Brownie Starflash, began his quest for beauty and truth.

Between 1966 and 1969 Hilary studied photography under the West Coast photographer Glen Fishback, himself a student of the great Carmel photographer Edward Weston. Under Glen Fishback, Hilary learned an even deeper love for photography, the quest for excellence and beauty, and the power of a well-seen image.

Hilary worked in both advertising and documentary photography between 1969 and 1981. Then, in 1981, he turned his camera exclusively towards documentary landscape. In 1988, needing to answer some questions he had concerning the relationship among his art, the nature he photographed, and the nature of God, he returned to school to earn a Ph. D. in Theology and the Arts. He now understands his work as being in the nexus of Spirit and Image, and his photographs reflect the beauty of the Sacred as it imbues the seen world.

Hilary has chosen the state of California to create images because it is diverse and beautiful. It is the state where he found his health. It is the state where circumstances placed him on a mountain-side in mid-winter, and he experienced that Presence which is ultimate holiness. California's granitic rock and Jeffery pines, its rivulets and wild flowers, its high wind clouds, the smell of duff in a late California summer, its valleys and the deep mast of an oak forest, the California coastline both gentle and rugged: all these might be found in other states, but never quite like in California. Hilary claims that the very longitude and latitude of California positions its sun to give a specific and almost mystical light. He says that all this may be nothing more than a terminal case of "projection" on his part, but so what, he's a photographer, after all!

He believes that the images of Beauty he presents to his viewers in some way are atavistic memories of a time when Spirit and Divinity, Matter and Humanity, co-existed as one in loving communion, and as such, the images themselves become Icons moving the viewer into the depth of the Sacred. Because each of his images is conceived and brought forth out of a deeply meditative photographic state, Hilary strongly suggests his viewers approach each print in the same wayprayerfully. Hilary contends that his images, because they gather divinity as they gather the reflected light that transforms film into photography, can be used as focal points for deep contemplation.

He has been in over thirty one-person exhibitions since 1969, and in over fifty group shows. His work is in numerous public collections including the Bancroft Library, University of California, Pictorial Collections: Berkeley, CA.; the California State Library, Special Collections Division: Sacramento, CA.; the Crocker Art Museum: Sacramento, CA.; and the San Francisco Museum of Art: San Francisco, CA. His images have appeared in Creation, EarthLight, Interview Magazine, The Pacific, Pacific Business, Sacramento Magazine, Sports Illustrated, and Time. Marckx has taught at New College of California, S.F., is adjunct faculty at the Pacific School of Religion, Berkeley, and does numerous workshops and retreats. His degrees are: B.A. New College of California (Humanities), M.A. Pacific School of Religion (Theology and the Arts), and a Ph.D. from the Graduate Theological Union (Theology and the Arts).

As to his social location Marckx says, "I am white, male, almost sixty, and have been married to Cherie since 1965. We have two children, and three grandchildren. I have worked on a dairy farm, hauled hay, driven tractor, picked peaches, pears, and apricots, sold brooms and brushes door-to-door, worked for the State of California as a clerk, driven a delivery van, and been a tree-trimmer. I am also a song-writer. I play guitar and perform with Cherie. I straddle two denominations: I have standing in both the Northern California, Nevada Conference of the United Church of Christ, and the Christian Church (Disciples of Christ) of Northern California-Nevada. I currently serve the Geyserville Christian Church. I started off as the son of a Fundamentalist minister, then joined the Roman Catholic Church in the early seventies. I have worshiped with pagans, been called to communion with a blue oak, prayed in tongues with Charismatics, stayed too long in my head while in the academy, been led, photograph by photograph, by the resident "spirit" through a "deserted" Native American village, and danced to the morning sun after a cold night in the high Sierra: I believe the One known as Sacred, or Holy One, was part of each of these experiences and has interwoven my life and speaks through each of my images. Life is Life!"

Emerging photographers seek out Hilary's advice and many drive miles to meet him and hear his evaluation of their work. He has given private photography lessons and taught photography since the early seventies. He considers his own greatest successes those students who now have their own successful careers in photography.

Hilary's photographic images are also sought by serious collectors, and his work may be obtained on-line at hilaryfmarckx.com, and, when his time permits, by appointment for private showings in his home gallery.

Hilary's CV


AWARDS, DEGREES, AND CERTIFICATES

1999 - Doctor of Philosophy.  Dissertation:  Reformer/Photographer Jacob A. Riis within the Context of U.S. Religious History.  Graduate Theological Union, Berkeley, CA.

1990 - Master of Arts, Theology.  Thesis:  Plains of Focus:  Theological Perceptions in Landscape Photography.  Pacific School of Religion, Berkeley, CA.

- "Certificate of Completion."  Spiritual Director's Institute.    Mercy Center.  Burlingame, CA.

1988 - Bachelor of Arts, Humanities.  Senior Project:  Comparative Spiritualities:  Matrifocal/Patrifocal Studies. New College of California, San Francisco, CA.

1986 - "Certificate of Catechist Formation," Office of Religious Education, Diocese of Sacramento.

1983 - "Silver Award."  The Sacramento Advertising Club:

  Sacramento, CA.

- "Gold Award."  The Sacramento Advertising Club:

  Sacramento, CA.

1977 - Certificate of Achievement, The Glen Fishback School of Photography, Sacramento, CA.

1974 -   "First Award."  The Sacramento Advertising Club:  Sacramento, CA.

-  "Gold Award."  The Sacramento Advertising Club:   Sacramento, CA.

1973 -  "Merit Award."  The Sacramento Advertising Club:  Sacramento, CA.

ONE PERSON EXHIBITIONS

2002 -  "Northern Sonoma County Images."  Gladstone Cellars Gallery.  Ongoing and rotating exhibition.

1999 -  "Photograph as Icon/Windows on the Sacred: Meditations on Nature."  The Badé Museum Gallery:  Berkeley, CA.

1994 -  "Landscape as Document:  Landscape as Theology."  The  Photolab Gallery:  Berkeley, CA.

-  "The Path Trodden by the Wicked C Themes on a Goat." The Badé Museum Gallery:  Berkeley, CA.

1991 -  "The Theology of Landscape."  The Darkroom Gallery:  Sacramento, CA.

-  "The Theology of Landscape."  St. Aidan's:  Bolinas, CA.

-  "35 Images."  Mercy Center:  Burlingame, CA.

1990 -  "Plains of Focus:  Theological Perceptions in Landscape Photography."  Badé Museum Gallery:  Berkeley, CA.

1989 -  "The California Document."  Himovitz/Salomon  Gallery:  Sacramento, CA.

1986 -  "In The Beginning, She."  Himovitz/Salomon Gallery:  Sacramento, CA.

1985 -  Effie Yeaw Nature Center Gallery:  Carmichael, CA.

-  "Four Seasons."  Junior Museum and Science Center:  Sacramento, CA.

-  "Three Orangevale Natural Systems."  Candy Store Art Gallery: Folsom, CA.

-  "Bannon Island."  Effie Yeaw Nature Center Gallery:  Carmichael, CA.

1984 -  "On the Horizontal."  Galvin Photographic: Sacramento, CA.

-  "Bannon Island."  Himovitz/Salomon Gallery:  Sacramento, CA.

1983 -  "A Gift to the Tenth Generation."  Crocker Art Museum:  Sacramento, CA.

-  "After Thirty-Three Days of Rain."  Michael Himovitz  Gallery:  Carmichael, CA.

1982 -  "Twenty Photographs."  Delta Gallery:  Sacramento, CA.

1978 -  McCurry's Main Gallery:  Sacramento, CA.

1974 -  McCurry's Main Gallery:  Sacramento, CA.

1972 -  "On Bombing."  AfterImage Photo Gallery:  Sacramento, CA.

1969 -  "Sacramento:  The West End."  Poppy Gallery:  Sacramento, CA.

CURRICULUM

2001    -       Pacific School of Religion, Berkeley, CA.  Adjunct Faculty.  Fall Semester: "Divine Design: the Spirituality of Flat Art."

-         Pacific School of Religion, Berkeley, CA.  Adjunct Faculty.  Spring Semester, "Photography, Ecology & Prayer."

1999    -       Graduate Theological Union,  Berkeley, CA.  Adjunct Faculty. Summer Session:  "Toward a Theology of Nature."

1994    -       Pacific School of Religion, Berkeley, CA.  Adjunct Faculty.  "Worship and the Arts."

1993    -       Pacific School of Religion, Berkeley, CA.  "Church History"  Teaching Assistant to Professor Randi Walker.

1992    -       Pacific School of Religion, Berkeley, CA.  "Church History"  Teaching Assistant to Professor Randi Walker.

1991    -       Pacific School of Religion, Berkeley, CA.   Adjunct Faculty.  "Photography:  Prayerful Vision."

1989    -       Pacific School of Religion, Berkeley, CA.   Adjunct Faculty.  "Photography as Meditation."

-         New College of California, San Francisco, CA.  Adjunct Lecturer.  "Museums and Society."   "The History of Photography."

1979    -       Glen Fishback School of Photography, Sacramento, CA.  Adjunct Faculty.  "The Successful Artist."

1978    -       Glen Fishback School of Photography:  Sacramento, CA.  Adjunct Faculty.  "Marketing Skills."

1971    -       Glen Fishback School of Photography:  Sacramento, CA.  Adjunct Faculty.  "The Limits of Color Photography."

BIBLIOGRAPHY:
WORKS BY HILARY F. MARCKX

2002    -      "The Use of Entheogens in a Christian Context." Position Paper for the Northern California Nevada Conference of the United Church of Christ, Committee on Ministry, Section B.

1999    -       Reformer/Photographer Jacob A. Riis within the Context of U.S. Religious History.  Dissertation.  Graduate Theological Union Library, Berkeley, CA.

1992    -       "Listening as Creation."  EarthLight.  Issue 9 (Winter   1999-92).

1991    -       "Focus Sacramento."  Sacramento Magazine.  (July 1991, six pages, illus.).

1990 -       Plains of Focus:  Theological Perceptions in Landscape Photography.  Thesis.  Graduate Theological Union Library, Berkeley.

-         "Photography as Meditation."  Bulletin.  Berkeley:  The Pacific School of Religion, (Winter 1990, Vol. LXVII) 4, Illus.

1989    -       "Landscape As Intent:  A Statement of Our Faith."  Gold River Scene.  Sacramento, CA.  Summer/Fall 1989.  (pp. 45-47, illus.).

-         "The Spirit in the Land."  Creation.  September/October 1989.  (pp. 31-33, illus.).

-         Continued writing column, "On Photography?"  On the Wing.  Sacramento, CA.

1988 -       Continued writing column, "On Photography?"  On The Wing.  Sacramento, CA.

1987    -       "Water Works."  The Sacramento Bee:  8 February 1987.  ("The Sacramento Bee Magazine," pp.6-10, illus.).

-         "The Himovitz/Salomon Art Gallery."  Gold River Scene:  No.6, Spring 1987. (p.24).

-         "Heady Experience."  The Sacramento Bee:  9 April 1987.  ("Neighbors," p.25).

-         "In The Trinitys."  Outdoor California:  May-June.  (pp.18-20).

-         "A California Chronicle."  The Sacramento Bee:  12 July 1987.  ("The Sacramento Bee Magazine," pp.3, 10-13,  illus.).

-         "The California Document."  California State Library  Foundation Bulletin:  October 1987.  (pp.20-24, illus.).

-         Continued writing column, "On Photography?"  On The Wing.  Sacramento, CA.

1986 - "When Emotion Isn't Enough."  The Sacramento Bee:  17 January 1986.  ("Weekend Scene," p.7).

- KVIE Channel 6 Art Auction Catalog:  February 1986.  (Lot #16).

- "A Thought On a Park and the Loss of a Wild Area."  Gold River Scene:  Spring 1986. (cover, p.42, illus.).

- "In The Beginning, She."  On The Wing:  October 1986.  (pp.22, 32, illus.).

- "Blank photos?  No need."  The Sacramento Bee:  27 November 1986.  ("Neighbors," pp.2A, 4A).

- "Cosmic Nurturer."  Gold River Scene:  Summer/Fall 1986.  (p.52, illus.).

- Premier column "On Photography?".  On The Wing.

1985 - Catalog.  The Extension of Tradition.  Crocker Art  Museum:  Sacramento, CA.

1984 - "Cunningham Photos Back After 48 Years."   Sacramento Union:  8 January 1984.  (p.C5).

- Portfolio.  "The Crystal Range."  Sierra Heritage:   Summer 1984.  (pp.46-49, illus.).

- "Landscape Photography."  On The Wing:  September 1984.  (Cover, p.10, illus.).

- "Bannon Island Impressions."  Natomas News:  September 1984.  (p.5).

- "Photographer's Notes."  Natomas News:  September, 1984.  (p.7).

         -   Poster.  "Bannon Island, In Respect to the Land B Hilary F. Marckx - Photographer / Himovitz / Salomon Gallery / Sacramento":  Sacramento, CA.

- Portfolio.  "In Respect to the Land."  California  Parks & Recreation:  Fall 1984.  (pp.21-24, illus.).

1983 - Poster.  "Hilary F. Marckx, Photographer/A Gift  to the Tenth Generation."  Crocker Art Museum:   Sacramento, CA.

- Portfolio 1.  A limited edition of 105 copies,  each containing 10 original photographs from the project, "A Gift to the Tenth Generation."

- "A Gift to the Tenth Generation."  South Natomas News:  September 1983.  (p.5, illus.).

1982 - Catalog.  Poseidon's Realm.  Crocker Art Museum:  Sacramento, CA.

- Poster.  "Poseidon's Realm."  Crocker Art Museum:  Sacramento, CA.

1981 - Catalog.  Paper Art.  Crocker Art Museum:  Sacramento, CA.

1980 - Catalog.  A Century of Women's Costume, 1814-1914.  Crocker Art Museum:  Sacramento, CA.

1973 - "High Button Shoes Are Back Again."  Rangefinder, April 1973.  (pp.83-84, illus.).

1971 - Twelve posters.  "Studies in Color Photography."   Graphic Center/West:  Sacramento, CA.

MAJOR PHOTO-DOCUMENTS

 

2000   -       "Russian River Document."  In progress.

1999   -       "Nature As Icon."  Ongoing.

1992-1994 - "The Wildflower Series."

1993 - "Theological Statements."

1982- 1989 - "The California Document."  In conjunction with the California State Library.  Equipment supplied by a grant through the Mamiya Camera Company.

1985 - "Three Orangevale Natural Systems."  Representing the Orangevale Action Committee.

1984 - "Bannon Island."  Funded by a fellowship through the Friends of Bannon Island.

1980-1983 - "A Gift to the Tenth Generation."  Funded in part by the Mamiya Camera Company (equipment).

1974   -       "Mobile Homes and Trailer Parks".

1973-1974 - "Mother Lode".

1971-1978 - "The Crystal Range/Desolation Wilderness."  Funded in part by the Mamiya Camera Company (equipment).

1969 - "Sacramento:  The West End."  A survey of Old Sacramento prior to re-development.

MEDIA

1989  - Review.  Bruce Nixon.  "Peace On Earth."  National Public  Radio.  Radio KXPR, Sacramento.

1988  - Interview.  "Focus on Sacramento Public Library:  A Viewer's Digest."  Cable Channel 18:  Sacramento, CA.

1986  - "Ours to Keep."  Eon Productions, 18 minutes.  Film  portrayal of Hilary F. Marckx, documentary landscape  photographer, at work.

1983  - Interview.  "Dru Doyle Show."  Radio KXPR:  Sacramento, CA.

- Interview.  "Arts Alive."  PBS, KVIE Channel Six:  Sacramento, CA.

1982  - Interview.  "Arts Alive."  PBS, KVIE Channel Six:  Sacramento, CA.

1981  - Interview.  "Jim Lentine Show."  Radio KJAY: Sacramento, CA.


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